South Korean movies are best understood for their on-screen, no-holds-barred, hideous violence that would discover an area in the index of the numerous disturbing films. That selects the Korean fans moderator and thus can be seen as affecting a whole generation.
1. The Host
Bong Joon-ho's terror drama 'The Host' is a slight horror movie about a slimy tentacle monster declaring terror across the Han River shoreline. The theatre covering the dysfunctional home acts as a connecting tissue to handle the problems in the clothes of a monster movie.
2. Il Mare
Lee Hyun-Seung delicately blends old-school romance with a powerful yet minimalistic visual style. Two troubled individuals, separated by a temporal time warp, connect through letters found in the letterbox at Il Mare.
3. New World
Park Hoon-Jung's contemporary gangster acting 'New World' is an observational personality analysis of the Korean Crime syndicate's inner functioning. New World' would near reach 'Infernal Affair' in its environment, but Park Hoon-Jung takes a humanistic method in fleshing out the surfaces, including the gangsters.
4. The Bow
Kim Ki-Duk's 'The Bow' is an evasive and indefinite character analysis of a 16-year-old girl who has spent a decade on the ship. The quiet, routine life and cement of trust show a break when a youthful college student boards their tugboat. He purely uses quiet and relaxing music to meditate upon the dynamic difficulty of the characters.
5. The World Of Us
Yoon Ga-Eun explores the inherent and outside pressures youths in contemporary Korea face. The friendship made on the market turns sour when social and economic status interferes. The commission of both youth actors is effortless and bleeds naturalism.
6. Oasis
It is uncertain that two of my numerous loved, transgressive romantic movies of the century were released in the same year. Neither of the filmmakers ever tries to appease their audiences by making the character likeable or heroic. Hong Jong-du is socially awkward. His gleaming eyes and the perpetual smile on his face could be deceiving.
7. I Saw The Devil
I Saw Assertive performances and outlandish on-screen roughness drive the Devil. Korean director Jee-Woon Kim's 2010 horror/suspense is possibly one of the scariest movies of the 21st century. The movie uses a bloody brutality poem as a plate to serve history and feed characters with a sense of purpose.
8. Oldboy
Oldboy brought attention to the international audience's Korean thrillers and is considered one of the best pioneering movies in the genre. Though vengeance is at the vanguard of the movie, the equally intriguing subplot follows the beginning of Lee Woo-jin's view of revenge carried out of humiliation.
9. House Of Hummingbird
Inarguably, the most valuable Korean film of 2019. In her attribute debut, Bora Kim smears a personal and exposed story of a lonely and impulsive. The deliberate glacial pacing of the narration permits a nuanced statement of Korean culture. Bora Kim offers a genuine and poignant take on childhood, served with excellent cinematography.
10. The Way Home
The plot of 'The Way Home is friendly and attached to have drippy stuff. The movie takes place in a condition of economic slow that has compelled the grandmother's daughter to vacate Sang-woo for the summer until she sees a career in a city. He sidesteps all the cliches and genre tropes to structure a narrative around the character.
