Drama Digest
Adapted from the 2019 movie of the same name, this is the story of Anna Matsuda. She is a very well-respected reporter, who works for the Toto Newspaper. She has strong morals and when presented with a challenge, she doggedly gets to the bottom of the case. Due to her unwavering moral system, she is called Shinbun Gyokai no Itanji or a journalist who is nonconforming. Along with others, she is faced with political intrigues, corrupt officials, and controversy.
The Feel-Good Part
The series is heavy. It is advisable to not expect feel-good scenes while watching the series.
The Disappointing Factor
The first few episodes are a bit choppy. The story takes more time than needed to progress in those episodes. But after that, it gradually picks up its pace. But in some of the later episodes, the story lags again and has problems with minor details. Some scenes could have been cut. The character of Mayu plays an important part in the development of another character, but some scenes involving her are unnecessary.
In-Depth Analysis
This series is a mirror of our world, where deception, rumors, and corruption are the order of the day at present. Divulging into the murky world of politics and journalistic influence, the series tells an engrossing story about suspense and human drama.
When civilians go to report transgressions, they are often told that they should let it go, since, after all, they are alive. And for a while, while that seems okay and reasonable, the transgressions continue to pile up, which leads to the burning question: why would such an offense be tolerated at all? Isn’t it just an excuse for such individuals to get away with bigger offenses? Isn’t the law meant to protect society?
The series masterfully communicates that same dilemma faced by many vulnerable, wronged people in our society and the role of media and people with influence in shaping their lives. Often silenced, and often fearful, it is the responsibility of journalists and politicians to take care of and protect such people in society. That is unfortunately not the case in real life.
Often overcome by cynicism, many adults refuse to make the right decision, thinking that a single person can’t change society and its many injustices. However, the character of Anna cements the importance of integrity and dedication in high-risk and impactful careers like journalism. She drives home the fact that one person, can indeed make a difference.
However, the series is harshly realistic, reminding us that these morally upright journalists are still powerless when fighting against big politicians. For them, all it takes is some money or one phone call to make their headaches go away. People exist as commodities for them. It is therefore extremely frustrating for journalists to do their jobs.
The camera is masterful. It is quiet and impactful. Colour is used to show the audience the difference in the scenes. Wan yellow and green palettes are used in scenes of shady transactions; blue is used to emphasize the tense situations in which a character has their back to the wall.
Star Power
Yonekura Ryoko and Ayano Go stand out as Anna and Shinichi. Yokohama Ryusei is solid as an indifferent Kinoshita Ryo, who awakens to the responsibility and power that the youth have in society.
Overall Opinion
Shinbun Kisha is binge-worthy. It makes the current pandemic a part of the plot, having it shape the story, the characters are relatable and evoke sympathy. The cynicism in this series is very palpable, but it also has a touch of hope, which keeps the viewer invested.
