Drama Digest
Sakeno Sei, who works for the “Hate Alcohol” organization, receives an application from the company’s president for the “Hate Alcohol Program.” As a result, “50 people with worrisome drinking habits” participate in the program for different reasons and facts. Still, those who are not conscientious continue to drink and cause issues. Sakeno decides to throw them through a sophisticated program.
The Feel-Good Part
It is an expressive drama that exposes humans’ genuine vulnerability and ignorance and the darkness of modern society, as shown by Sake. The mystery hero, Sakano, is played by Koide, who strives to solve problems for people with problematic drinking habits who have diverse behind-the-scenes conditions in an “original method.” The president of a particular company sends a request for the “Hate Alcohol Program” to Kiyoshi Sakano, who works for the Hate Alcohol Firm. It highlights the tragedies of overdrinking by assembling “50 people with bad drinking habits” and forcing them to drink all at once with the help of booze while watching a “particular video.”
The Disappointing Factor
They built an excellent plot with an emotional vibe in the story and realized that the standard ending was a little misplaced. The drama, on the other hand, is seriously screwed up. The camera work was superb, and the colors were vibrant. However, I thought that smacking young people firmly. could make you feel that there is widespread awareness of the situation. With this web drama, Koide Keisuke makes a not-so-remembered reappearance. It is about problematic drinking, but in the last episode, the alcohol gets distracted, and the dark humor is missing.
In-Depth Analysis
The unexpected concepts such as “talk speed management,” “mirroring,” and “yes set” are split into components in a scene that tells the secret of the success of appealing using alcohol in a greedy play. Some sequences approach reality and locations that are tragic and wonderfully written, in addition to situations full of humor, and it is fascinating because it is composed of many aspects. I believe that the high feeling you get when you drink and the awful hangover it gives you are the keys to this storyline, so Yuki Kobayashi is in charge of finding the perfect location. This play left a lasting impression on me. As a project, it was a huge success.
Star Power
Mr. Koide, who plays the hero’s representative, helps a colleague with a bad drinking habit experience the horror of alcohol and dislikes it, as well as the character’s journey.
Sakano’s friend, Takeyama, a plain bar owner who is a good friend of Sakano’s and always believes in Sakano, will be played by Koike. Sakano, a junior high school classmate who shared his success, launched a business. It evolves, as does the relationship between the two.
Murakami captures the viewer’s attention right away. Murakami’s obvious sarcasm in a play within a play appears to be a humorous reference to “Jonetsu Tairiku.” The unique character of Irokawa is three-dimensionally conveyed by various gestures, presenting styles, and dialogue accents in the comedy-drama set to be in constant communication with him.
Overall Opinion
It is a masterpiece that is both thrilling and appealing. Everything should be proportional. Because loss of soul is not applied, you must take responsibility for your actions. There are fines for drunk driving passengers who cannot recall them, so even though they attend, I believe that more people will stop at an earlier stage if sanctions are established. I was fascinated by director Yuki Kobayashi’s performance to the very end. It is a unique take.
