Drama Digest
The narrative of a northern man with great status and companions who goes to a homestay outside Chiang Mai that is going to fail and will be seized. There he meets the child of a resident, the proprietor of the homestay. The two feel attracted towards one another, prompting a relationship that they would always remember.
The Feel-Good Part
This takes us to the actors, and they are simply splendid. Oak has demonstrated he can give profundity to his performances even at such a young age of sixteen (assuming that you haven’t seen ‘Key Love’ or ‘Evening time’, you should watch them, as well). The manner in which he communicates bliss, dread, shock, timidity, and love, demonstrates he is a whiz. In Mon, he has an inherent accomplice which makes these two youthful actors a notorious couple as of now (regardless of whether they become a couple in this film), and all that without the fan administration from a major creation organization.
The Disappointing Factor
There are no disappointing factors as it addresses all society’s problems. With the exception of perhaps in a couple of spots, the sound quality was somewhat off. The editing was tight, the composing regarded the crowd, and the sentiment was unpretentious and practical, given what their identity was and where they were. The specialized nature of this is way over Wayu’s past works, which to me implies they’re learning and improving, and I’m truly looking forward to their next project.
In-Depth Analysis
The plot is straightforward on a superficial level: a student from Bangkok visits Chiang Mai to encounter life in the open country and thus, goes with three of Chiang Mai’s companions to a far-off provincial ‘lodging’. This basic plot is, be that as it may, used to address a portion of the issues Thailand (in the same way as other non-industrial nations) is confronting, not by making the actors elaborate finally on relocation from land to urban communities, left-behind minor provincial regions, inconsistent conveyance of abundance and so forth, yet by apparently unexpectedly showing their results in the regular routines of individuals.
Star Power
The acting is great – it’s so natur, even Oak’s OTT character is absolutely acceptable and true. Mon is downright lovely, and this shows what can be refined when you get somebody who is good-looking AND can act. The supporting characters were very convincing as well. The story is tight and conservative, and figures out how to truly resolve country issues and emblematically demonstrate what the arrangements are – by showing us, not telling us.
Overall Opinion
This film is a true gem, and a genuine feature of 2021, possibly not as BL as you would have expected, but rather Oak’s grin and the normal acting of all the young men effectively compensate for that. In the event that you’re feeling dismal, heads up (once more), and I’m certain you’ll feel much improved. In the event that you’re feeling great, actually watch it (once more), in light of the fact that you’ll have another motivation to feel better
